Dissertations

Modern and Contemporary

Abigail Lapin Dardashti

The Production of Modern Afro-Brazilian Art: African Decolonization, U.S. Black Power, and Transnational Religious Networks, 1966-88

Adviser: Anna Indych-Lopez
  • 2019
  • City University of New York

Nadia Rivera-Fellah

Stills of Passage: Photography and Migration in the US-Mexico Borderlands 1978-1992

Adviser: Anna Indych-Lopez
  • 2019
  • City University of New York

Rosalia Romero

Anarchism and Visual Culture in Greater Mexico, 1910-1950

Adviser: Esther Gabara
  • 2019
  • Duke University

Gillian Sneed

Gendered Subjectivity and Resistance: Brazilian Women’s Performance-for-Camera, 1974-1982

Adviser: Anna Indych-Lopez
  • 2019
  • City University of New York

Modern and Contemporary

#Gender Studies

Danielle Stewart

Framing the City: Photography and the Construction of São Paolo (1930-1955)

Adviser: Anna Indych-Lopez
  • 2019
  • City University of New York

Eleanor Stoltzfus

New Womanhood and the Bauhaus: The Avant-Garde Photography of Lucia Moholy

Adviser: Steven Mansbach
  • 2019
  • University of Maryland

Modern and Contemporary

#Gender Studies#Photography

Leah Pires

Finesse: Louise Lawler’s Pictures

Advisers: Alexander Alberro
  • 2019
  • Columbia University

Michaëla de Lacaze Mohrman

Populist Counter-Spectacles and the Inception of Mass Media Art in Argentina: Marta Minujín’s Happenings, Performances, and Environments of the 1960s

Advisers: Alexander Alberro
  • 2019
  • Columbia University

Sabrina Carletti

Xul Solar and the Argentinian Avant-Garde: Body, Language, Technology, Sociability

Advisers: Brigid Doherty and Maria Gabriela Nouzeilles
  • 2019
  • Princeton University

Aubrey Hobart

Treasures and Splendors: Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020

Adviser: Carolyn Dean
  • 2018
  • UC Santa Cruz

Modern and Contemporary

#History of Collecting#Colonial and Viceregal