Dissertations
Modern and Contemporary
Tatiane Schilaro Santa Rosa
The Undoing of Celebrations: Art and the Myth of Racial Democracy in Brazil
Adviser: Julie GonzálezJulia Detchon
Working Around: Lea Lublin, Marie Orensanz, Mirtha Dermisache, and Margarita Paksa, 1968–1983
Adviser: George FlahertyElisabeth DeRose
Defying Graphic Tradition: Printmaking Strategies of Latin American Conceptualists (1963-1984)Defying Graphic Tradition: Printmaking Strategies of Latin American Conceptualists (1963-1984)Defying Graphic Tradition: Printmaking Strategies of Latin American Conceptualists (1963-1984)
Adviser: Anna Indych-LopezGiovanna M. Bassi Cendra
Tectonics of Development: Mineral Extraction and the Architecture of the University-City in South America, 1945-1975
Adviser: Fabiola López-DuránDeanna Ledezma
The Fecundity of Family Photography
Adviser: Jonathan MekindaJez Flores García
Camp as a Weapon: Chicano Identity and Asco’s Aesthetics of Resistance
Adviser: Julia Bryan-WilsonSonja Elena Gandert
La resolana: Chicano Artistic Imaginaries of Place, Race, and Activism in New Mexico and Texas, 1969–1985
Adviser: Anna Indych-LopezAdrienne Rooney
An Entire People’s Discourse: Redefining Aesthetic Standards, Tastes, and Circuits in the 20th Century Circum-Caribbean
Adviser: Fabiola López-DuránAnnemarie Iker
Secrecy in the Art of Santiago Rusiñol and the Catalan Modernistes
Adviser: Bridget AlsdorfElisa Germán
The Creative ‘State’: The Calcografía Nacional and its Impact on Printmaking in Madrid after the Spanish Civil War, 1936-1959
Adviser: Gregory WilliamsJacqueline Witkowski
Disappearing Threads: Art, Text, and Textile during Dictatorship in Argentina, Brazil, and Chile
Adviser: T'ai SmithWilliam Schwaller
A Transnational Arte de Sistemas: The Centro de Arte y Comunicación in Argentina and Abroad, 1968-1983
Adviser: Mariola AlvarezPaulina Pardo
New Media Art Strategies and Female Identity in the Artistic Practice of Letícia Parente (Brazil, 1930-1991)
Adviser: Jennifer JostenIsabela Muci Barradas
The Polyphonic Forest: Photographing the Amazon, 1970-1989
Advisers: Anne McCauley and Irene SmallElvis Fuentes
Bowling for Moscow: The Relationship between Soviet Visual Culture and Cuban Art, 1972-1994
Adviser: Jane Ashton SharpMaría Paula Varela
Goddesses and Monsters: Maria Martins’ Paradoxical Modernism
Adviser: Kaira CabañasHoracio Ramos
Performances of Race: The Making of an Experimental Arte Popular in Peru, 1979-1990
Adviser: Anna Indych-LopezMegan Flattley
Out of the Fragments, New Worlds: Perspective and Spatiality in the Work of Diego Rivera, 1913–1933
Adviser: Adrian AnagnostWhitney Dennis
Very Old and Very Modern: The collecting practices of Jacobo Fitz-James Stuart, 17th duke of Alba
Advisers: Antonio Urquízar, José Antonio Vigara Zafra and José Miguel Hernández BarralDelia Solomons
Installing Latin American Art for Cold War Culture: U.S. Exhibitions (1959-1967)
Adviser: Edward Sullivan