Dissertations

Modern and Contemporary

Susana Temkin

Un arte social y revolucionario (A Social and Revolutionary Art): Marcelo Pogolotti and the International Avant-Garde

Adviser: Edward Sullivan
  • 2016
  • New York University, Institute of Fine Arts

Blanca Serrano Ortiz de Solorzano

Between Limit and Possibility: Art in Cuba During the Special Period

Adviser: Edward Sullivan
  • 2017
  • New York University, Institute of Fine Arts

Sean Nesselrode

The Harvest of Modernity: Art, Oil, and Industry in the Venezuelan Twentieth Century.

Adviser: Edward Sullivan
  • 2017
  • New York University, Institute of Fine Arts

Juanita Solano Roa

Theater of the Self. Photography, Race, and Progress: Fotografia Rodriguez and Benjamin de la Calle, Medellin (Colombia), 1891-1938

Adviser: Edward Sullivan
  • 2018
  • New York University, Institute of Fine Arts

Modern and Contemporary

#Photography#Race Studies

Aubrey Hobart

Treasures and Splendors: Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020

Adviser: Carolyn Dean
  • 2018
  • UC Santa Cruz

Modern and Contemporary

#History of Collecting#Colonial and Viceregal

Lesley Wolff

¡Guerra al metate!: The Visuality of Foodways in Postrevolutionary Mexico City (1920-1960)

Adviser: Michael Carrasco
  • 2018
  • Florida State University

Jorge Rivas Pérez

Modern Design for Living in Venezuela: Miguel Arroyo and his Circle, 1948-1963

Adviser: Pat Kirkham
  • 2018
  • Bard Graduate Center

Caroline "Olivia" M. Wolf

Migrant Constructions and Mahjar Monuments: Transnational Art and Architecture in Modern Argentina, 1910-1955

Adviser: Fabiola López-Durán
  • 2018
  • Rice University

Gillian Sneed

Gendered Subjectivity and Resistance: Brazilian Women’s Performance-for-Camera, 1974-1982

Adviser: Anna Indych-Lopez
  • 2019
  • City University of New York

Modern and Contemporary

#Gender Studies

Sabrina Carletti

Xul Solar and the Argentinian Avant-Garde: Body, Language, Technology, Sociability

Advisers: Brigid Doherty and Maria Gabriela Nouzeilles
  • 2019
  • Princeton University

Michaëla de Lacaze Mohrman

Populist Counter-Spectacles and the Inception of Mass Media Art in Argentina: Marta Minujín’s Happenings, Performances, and Environments of the 1960s

Advisers: Alexander Alberro
  • 2019
  • Columbia University

Elizabeth Donato

A Series of Acts that Disappear: The Valparaiso School’s Ephemeral Architectures, 1952-1982

Adviser: Anna Indych-Lopez
  • 2019
  • City University of New York

Abigail Lapin Dardashti

The Production of Modern Afro-Brazilian Art: African Decolonization, U.S. Black Power, and Transnational Religious Networks, 1966-88

Adviser: Anna Indych-Lopez
  • 2019
  • City University of New York

Nadia Rivera-Fellah

Stills of Passage: Photography and Migration in the US-Mexico Borderlands 1978-1992

Adviser: Anna Indych-Lopez
  • 2019
  • City University of New York

Rosalia Romero

Anarchism and Visual Culture in Greater Mexico, 1910-1950

Adviser: Esther Gabara
  • 2019
  • Duke University

Danielle Stewart

Framing the City: Photography and the Construction of São Paolo (1930-1955)

Adviser: Anna Indych-Lopez
  • 2019
  • City University of New York

Eleanor Stoltzfus

New Womanhood and the Bauhaus: The Avant-Garde Photography of Lucia Moholy

Adviser: Steven Mansbach
  • 2019
  • University of Maryland

Modern and Contemporary

#Gender Studies#Photography

Leah Pires

Finesse: Louise Lawler’s Pictures

Advisers: Alexander Alberro
  • 2019
  • Columbia University

Lorraine Affoutit

Visualizing Decolonial Democracy in the Oaxaca Commune

Adviser: Martin Berger
  • 2020
  • UC Santa Cruz

Modern and Contemporary

#Central American

Maria Dorofeeva

Making men: Spanish art and the politics of masculinity, 1898-1936

Adviser: Not specified
  • 2020
  • University of Illinois at Urbana-Champaign

Modern and Contemporary

#Works on Paper#Gender Studies#Queer Studies