Dissertations
All categories
Elizabeth Cerejido
Where Is Cuban American Art? Artistic Production, Identity Formation and Cultural Politics from the 1980s to the Present
Advisers: Maya Stanfield-Mazzi and Kaira CabañasNenette Arroyo
Loca Sancta in the New World: The Creation of Sacred Space in the Spanish California Missions, 1769–1823
Advisers: R. G. Wilson and L. NelsonSusana Rodriguez
Performing Exile: Cuban-American Women’s Performance Art, 1972–2014
Adviser: Oscar VazquezRaphaelle Occhietti
Révéler par l’art les enjeux politiques et matériels de l’économie: La monnaie, la dette, le profit et la valeur vus à travers les matières premières dans trois performances de Marta Minujín (1985, 1996, 2017)
Advisers: Olivier Asselin and Laurence Bertrand DorléacSonia de Laforcade
Audio-Visual: The Slide as Medium in Brazilian Art
Adviser: Irene SmallBrian Bentley
Pop Artists of Underdevelopment: 1960s Brazilian New Objectivity
Adviser: Edward SullivanMaría Lumbreras
The Facture of Evidence: Portraits, Painting and Artistic Knowledge in Spain, 1590-1640
Adviser: Felipe PeredaMartijn van Beek
Artifex. Architectural Reasoning, Drawing and Rhetoric in the Oeuvre of Friar Juan Ricci de Guevara (1600-1681)
Adviser: Freek SchmidtRebecca Teresi
Images of the Immaculate Conception and the Rhetorics of Purity in Golden Age Spain
Adviser: Felipe PeredaAkemi Luisa Herráez Vossbrink
Francisco de Zurbarán and his Workshop’s Painting Production for the Americas: Trade, Collections and Reception
Adviser: Jean Michel MassingPatricia Lagarde
Facing Pilgrimage: Tenon Head Sculptures at the Ceremonial Center of Chavín de Huántar, Peru
Adviser: Elizabeth Hill BooneAnthony Meyer
The Givers of Things: Tlamacazqueh and the Art of Religious Making in the Mexica and Early Transatlantic Worlds
Adviser: Stella Nair