Conferences
Unruly Iconographies / Iconografie Indisciplinate: Exceptions or New Patterns?
Past opportunity
This field seminar will take place in June, 2025 at the Center for the Art and Architectural History of Port Cities “La Capraia,” Museo e Real Bosco di Capodimonte, Naples.
The Historical Geographies of the Churrigueresque in the Iberian World
Past opportunity
This online session at the ASECS 2025 Annual Meeting (April 4-5, 2025) will explore the notion of the Churrigueresque in Hispanic architecture in the late 17th and 18th centuries.
Medieval Iberia in a Connected World: The Raw-Materials Record
Past opportunity
This hybrid session at the 2025 International Congress on Medieval Studies aims to contribute to the production of knowledge about the Global Middle Ages by analyzing the role that the Iberian Peninsula played in the trade of raw materials.
The Art of Embroidery: History, Tradition, and New Horizons
Past opportunity
This conference aims to provide a platform for presenting and discussing the latest research findings on the history of embroidery in its broadest dimension, without prioritizing specific cultural, artistic, or chronological areas, but encompassing all aspects that such an ancient art as embroidery entails.
Artists and their Objects: The Material World of the Early Modern Artist
Past opportunity
This panel at CAA 2025 will address early modern artists from a material perspective.
ALAA Open Session for Emerging Scholars
Past opportunity
The Association for Latin American Art is now accepting proposals for the 2025 ALAA Open Session for Emerging Scholars panel at CAA.
Nature and Society in the Iberian Worlds
Past opportunity
This panel at the annual meeting of the Renaissance Society of America will be sponsored by the CMRS Center for Early Global Studies (University of California, Los Angeles) and its journal Viator.
Empire in the Americas, 1300-1700: Art, Vision, Race, and Power
Past opportunity
This session at the annual meeting of the Renaissance Society of America will interrogate the ways in which visual and material culture both reflect and sustain, fulfill and negotiate, imperial impositions and systems in the Americas.